Italian Baroque Era Painter, 1601-1681  Related Paintings of CAGNACCI, Guido :. | Maria Maddalena | Baptist as children | Martha Rebuking Mary for her Vanity after 1660 | Kaiser Leopold I | Sleeping Christ with Zacharias John the Baptist |
Related Artists:
GUERCINO
Italian Baroque Era Painter, 1591-1666 best known as Guercino or Il Guercino, was an Italian Baroque painter from the region of Emilia, and active in Rome and Bologna. Guercino is Italian for squinter, a nickname that was given to him because he was cross-eyed. He is especially noted for his many superb drawings. Guercino was born at Cento, a village between Bologna and Ferrara. By the age of 17 he was associated with Benedetto Gennari, a painter of the Bolognese School. By 1615 he moved to Bologna, where his work earned the praise of an elder Ludovico Carracci. He painted two large canvases, Elijah Fed by Ravens and Samson Seized by Philistines, in what appears to be a stark naturalist Caravaggesque style (although it is unlikely he had been able to see any of the Roman Caravaggios first-hand). They were painted for Cardinal Serra, Papal Legate to Ferrara. The Arcadian Shepherds (Et in Arcadia ego) was painted in 1618 contemporary with The Flaying of Marsyas by Apollo in Palazzo Pitti. His first style, he often claimed, was influenced by a canvas of Carracci in Cento. Some of his later pieces approach rather to the manner of his great contemporary Guido Reni, and are painted with more lightness and clearness. Guercino was esteemed very highly in his lifetime. He was then recommended by Marchese Enzo Bentivoglio to the Bolognese Ludovisi Pope, Pope Gregory XV. His two years (1621-23) spent in Rome were very productive. From this stay date his frescoes of Aurora at the casino of the Villa Ludovisi and the ceiling in San Crisogono (1622) of San Chrysogonus in Glory; his portrait of Pope Gregory (now in the Getty Museum, and, what is considered his masterpiece, The Burial of Saint Petronilla or St. Petronilla Altarpiece, for the Vatican (now in the Museo Capitolini). The Franciscan order of Reggio in 1655 paid him 300 ducats for the altarpiece of Saint Luke Displaying a Painting of the Madonna and Child (now in Nelson-Atkins Museum of Art, Kansas City). The Corsini also paid him 300 ducats for the Flagellation of Christ painted in 1657.
Jean-Pierre-Alexandre Antigna
painted The Fire in 1850-51
VADDER, Lodewijk de
Flemish painter (b. 1605, Bruxelles, d. 1655, Bruxelles) Flemish painter, draughtsman, engraver and tapestry designer. He was received as a master in the Brussels Guild of St Luke on 15 May 1628, probably, like his brother Hubert de Vadder, after an apprenticeship to his elder brother, Philippe de Vadder (Coeckelberghs). Lodewijk is best known as a landscape painter, although he also executed landscape engravings and drawings. He was granted a privilege to make tapestry cartoons by the Brussels city magistrate in 1644. In this capacity he worked mainly for weavers such as Jean Courdijn and Baudouin van Beveren. The latter referred to him as the best landscape painter in the country